“Of course you know best, dear,” she admitted. “Perhaps I am a bit too fond of bright things.” “I’ve only asked a few,” she explained, as she led Joan into the restful white-panelled sitting-room that looked out upon the gardens. Madge shared a set of chambers in Gray’s Inn with her brother who was an actor. “But I have chosen them with care.”!

“Nice little restaurant, this,” she said. “One of the few places where you can depend upon not being annoyed.” Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.”

They had reached the end of the street again. Joan held out her hand with a laugh. It was only a little cross, hers, by comparison. She could see that. They seemed to be standing side by side. But then she was only a woman—little more than a girl. And her courage was so small. She thought He ought to know that. For her, it was quite a big cross. She wondered if He had been listening to all her arguments. There was really a good deal of sense in some of them. Perhaps He would understand. Not all His prayer had come down to us. He, too, had put up a fight for life. He, too, was young. For Him, also, life must have seemed but just beginning. Perhaps He, too, had felt that His duty still lay among the people—teaching, guiding, healing them. To Him, too, life must have been sweet with its noble work, its loving comradeship. Even from Him the words had to be wrung: “Thy will, not Mine, be done.” The firelight played about her hair. “I suppose every woman dreams of reviving the old French Salon,” she answered. “They must have been gloriously interesting.” He was leaning forward with clasped hands. “Why shouldn’t she?” he said. “The reason that our drawing-rooms have ceased to lead is that our beautiful women are generally frivolous and our clever women unfeminine. What we are waiting for is an English Madame Roland.”